Youtube Jason Aldean You Dont Know
Fifty ast week Jason Aldean released They Don't Know and already information technology'southward on rail to go his third straight No one on the Billboard 200 albums chart. Aldean, 39, grew upwardly in Macon, Georgia, and since 2005 has become the face up of the country music institution with 14m album sales to his name. His electric current tour takes him across North America through early on Nov.
What makes a Jason Aldean vocal? What do you look for when choosing what songs you want to record?
At this bespeak we have plenty songs out at that place that people can gauge that for themselves. I like more nostalgic-feeling songs, looking back at whatever. A lot of my stuff has always been actually blue-neckband driven. Just really about things that I know. The way I grew upwards, the things I relate to. To me those are the songs that bear more weight than anything.
What about more than introspective songs, which we don't always hear on the radio?
That is 1 of the things country music congenital on – telling stories, heartache, that kind of thing. If you listen to whatever of my albums there are all those aspects. I think they're all every bit important. Aye, in that location was a period at that place the big party blazon songs were hot. And nosotros had a few of those. But you lot have to have some of those for your live show. No ane desire to hear a concert full of ballads, you'll exist comatose by the fourth vocal.
Lights Come On, the album'south first unmarried, takes us in the middle of a stadium concert. How much of it is true?
Equally of it. That song tells the story of the behind the scenes stuff. Essentially that is our life. We get into town, people throw the show upwardly, we're getting prepare for people to show up and getting up on stage for a couple of hours a dark. And when the show comes down, we're on to the side by side place. It is like a traveling circus. That song describes it perfectly.
Were you a fan of stadium country when you were younger?
I don't call up so. In country music there wasn't a lot of those guys anyway. You had Garth [Brooks], you had Shania [Twain] and and so Kenny [Chesney] and George Strait. Out of those guys I went to ane George Strait stadium show. A lot of those shows I saw were in Macon Coliseum that holds well-nigh four or v thousand people. Information technology might as well take been watching the Beatles in Shea Stadium.
How exercise you balance playing to a stadium without making the music too wide?
Yous have to always be conscious of the songs. I never want the songs to be too songwriterly or too clever. I recollect you do have to get in, to some extent, blackness and white. The vocal has to say what it means and it means what it says. If you try to get likewise tricky with the lyrics, it gets disruptive. You don't have to mind to it five or half-dozen times to really get it. If information technology'due south something I have to go dorsum and listen to over and over once more to figure what it says, it'south likewise much work for me and it's too much work for the listener.
You are prolific, releasing seven albums in 11 years. Do albums matter to you? I'g an album guy but nosotros're living in the era of singles.
I'thousand an album guy as well. I call up on a Tuesday running to a store and getting a new album and I couldn't await to get home to listen to it. Some of my favorite songs were songs that were album cuts on those records. It'due south difficult to get a good grasp of who an artist is by listening to two, three or four songs. Sometimes it takes having a whole album to listen to and really getting into who the artist is.
It's hard for an artist to dwindle xx songs to iv. Y'all're leaving a lot of great songs on the table. Only more and more than yous're starting to see EPs come out. I actually hope that information technology doesn't eventually get that fashion completely.
Do y'all experience force per unit area to only focus on the singles? What is it like from your end that that'due south become the main thing?
As an industry nosotros've done that to ourselves. We're the ones who have put ourselves in that position, to make it normal now that people just expect they don't accept to buy a record and they tin can go spend a dollar to get any song they desire. That's taken the album-ownership process abroad. That'due south the industry's fault. As an artist you want as many people to listen to your music as possible. Patently when I spend a whole year making an album of course I want people to listen to the whole thing.
Adele held off streaming of her current anthology to assist push physical sales. Are artists now forced to figure out new ways to deal with streaming when we all know the royalties are so low compared with physical sales?
All this stuff is so new that we're all trying to figure information technology out. I think streaming tin can be a great thing. As an artist, you lot want to brand information technology piece of cake for your fans to find your music and give it to them as cheaply as y'all tin can. It's 1 of those things where you kind of have to notice that mutual ground of OK, this is fair to yous and it's fair to usa. Where it works for everybody.
Only information technology's a trivial tough sometimes when you lot're looking dorsum and seeing a streaming service making a lot of money off streaming and advertising and upward to this betoken haven't been paying a lot of money out to anybody. Information technology'south a catchy state of affairs that I know a lot of fans don't know the ins and outs of. Whenever you lot speak up, their initial reaction is: "Y'all're greedy and yous desire more money." Well I tin can assure yous I don't make money off of album sales. I make money playing live shows and selling T-shirts. It's not about me personally making more money. Just I do take a lot of friends that do count on that coin to make a living. And younger artists that are coming upward in the business organization, they should exist able to make a full-length album, non a iv-song EP to go their career started.
Adele is one of biggest artists in the world. The fact that she did that with her album, that tells you something. There'due south something not quite right.
I hear a lot of stadium rock on your new album, especially U2. Does that make sense?
Information technology makes complete sense. I'm a kid of the 80s. I remember rushing home to sentry music videos. I was a huge fan of all those rock bands. Just as much as I dear the way they played guitar and the power chords, I nevertheless loved the melodies and the stories and a lot of the instrumentation of land music too.
Your generation now dominates the country mainstream. How do you ascertain what your new class is bringing to the music?
A lot of diversity. Whether it used to be rock'n'roll, at present there's not an outlet for that. There'due south non whatever cool rock bands any more. All those guys nosotros go watch now were large back and then. That's a reason why Guns N Roses can proceed tour this year and sell out every dark. They're badass, merely there's not bands like that no more. There's a void in stone'n'ringlet music that a lot of united states have filled. You lot look at me, you look at Miranda [Lambert], you lot wait at a lot of united states of america that came from that aforementioned catamenia. We all kind of take that a little scrap. And then definitely some diversity. Whether it's going to be rock or hip-hop or R&B, you're going to await back and see our work brought a lot of that stuff into the fold.
Critics use the term "muscle country" or "bro land" to describe what you and other men in state are doing.
Information technology's non flattering past any ways. If yous are going to make statements like that and so at to the lowest degree go and listen to the albums equally a whole. Don't pick and choose the songs that can relate to the story that you're writing in the paper. I feel that term is a fiddling derogatory … I don't know one person who thinks information technology's a proficient term. I don't like the label thing at all. Especially when I recollect it's a backhanded sort of comment.
You played to lx,000 people at Fenway Park in Boston last weekend, which is an incredible milestone. Do y'all ever miss playing the clubs?
That's how nosotros all started. There'southward something to be said about going back and jamming for people at the bar and having fun. That's what fabricated united states all do it in first identify. On the flip side of that, there's no better scene than to walk out on a stadium phase and see a stadium of people watching your shit. I can't say that I would merchandise that for the other. But they're both cool in their own correct.
Source: https://www.theguardian.com/music/2016/sep/14/jason-aldean-they-dont-know-interview-cool-rock-bands
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